How a blind fan watches anime: An interview with TJ Olsen

Uncategorized

kill_la_kill_ryuko

When I asked TJ Olsen, a music promoter and anime fan, to talk about his experiences watching anime, he was a little surprised that I was at all curious. “I never considered that my experience was all that different,” he told me.

I disagree. TJ and I like a lot of the same shows, but since he’s blind, he perceives our favorite characters with audio cues. We spoke over the phone last week about anime, accessibility, and Kill La Kill.


Otaku Journalist: Have you always been blind?

TJ: Yes. I have been blind since 11 months of age. I lost my vision due to retinoblastoma, which is a form of retinal cancer. I’ve lived my entire life completely blind.

OJ: When did you first get into anime?

TJ: Age 12 or 13 if memory serves. I first got into anime through some of the early shows that were on Toonami. I’m 27 now, so this was about 13 years ago, when they started airing actual anime. Dragonball Z, and eventually Gundam Wing, and things like that. I began delving further into it, collecting DVDs and things like that. There still to this day is a gigantic bin of anime DVDs with braille labels sitting in my closet.

OJ: What are some of your favorite anime right now?

TJ: I’m really enjoying Kill La Kill, I find that to be very entertaining. I’ve been watching a lot of my old favorites like Rurouni Kenshin, .HACK//Sign, and Escaflowne. Haven’t really explored too much into newer stuff yet, though I got recently reinvigorated once I signed up for the Funimation streaming service. I’ve also just started watching Black Butler.

OJ: As somebody who only watches dubs, what do you think of the fact that Funimation is putting out dubs almost as quickly as subs right now?

TJ: That is fantastic. I’m going to start watching Maria The Virgin Witch, which they just started dubbing. That looks really interesting.

I think Funimation’s dubbing is really amazing because I signed up for Crunchyroll briefly with the trial but realized, “Oh, it’s nothing but subs. It’s not helpful.”

OJ: What could Crunchyroll do to become more accessible to blind people?

TJ: The only thing I can think of is if there’s a way to make the subtitles computer readable so they’re not part of the image but actually textual. I’m not technically inclined enough on the video side to know how feasible that is. But I know there is a technical standard that allows for that to exist in some form.

OJ: Let’s go back to Kill La Kill. What do you like about the show?

TJ: It’s just kind of goofy and weird. I think there’s a lot of social commentary in it, like there was in FLCL as well. It’s totally of out there, but if you actually think about it, it’s snarky and interesting.

OJ: Have you heard anything about the outfits they wear in Kill La Kill?

TJ: I’m gathering they’re rather scantily clad based on some of the descriptions, the comments made in the show. That’s also kind of cool—the other cast members are breaking the fourth wall and saying, “Wow, the way you’re dressed, that’s kind of absurd.”

I think, at least the way that I’m interpreting the show, that it’s largely mocking that aspect of anime [in which characters are often scantily clad]. I’ve always liked satire and social commentary in all its forms, which I think explains my tastes. When I first got into anime, it was largely because the storytelling was so much more intricate and interesting than I found a lot of American television to be at that time.

OJ: Do you know any other blind anime fans?

TJ: I know other people who are casually in it. I know a few vision-impaired people who are. I don’t really know a lot of other blind people in general. I know a handful, but it’s never been a large part of my social circle.

OJ: Do you ever watch anime with seeing people?

TJ: I absolutely do. My roommates are very into anime and a few good friends of mine are.

OJ: Do you think your experience watching anime is different from theirs?

TJ: I think to the extent that I’m relying mostly on auditory cues, my experience watching anything will be different. To a point. I think we’re all still absorbing the same content, but our primary means for getting that content differs. Your experience interacting with the world around you at large will obviously be different. I think a subset of that will come into the way you consume media. I don’t think it’s any more or less different than anything else.


Read more interviews with anime fans on Otaku Journalist:

Otaku Links: Hello from Boston!

Otaku Links

animeboston

Hello from chilly Boston, Massachusetts! Every year I take a much-needed vacation from my career as a professional blogger… to become Lead Staff Blogger for Anime Boston. I’ve been blogging for them on and off since 2010, and you may recall a very similar Otaku Links post just last year.

As usual, you can keep up with me and my blogging team on the official Anime Boston Tumblr. We’ll be writing up panels, documenting main events, interviewing special guests, and reporting on industry news. Coverage starts today!

In the meantime, here are some links from everywhere else:

  • Back in 1992, a fan wrote an article about anime fandom in America for the Village Voice. Thanks to Google’s Usenet archives, it lives on today.
  • The first time I decided I wanted to go to Japan, I was seven. Now I’ll be 30 in two years and still haven’t made the trip. I have been eyeing PacSet Tours as a more pop culture oriented and slightly more affordable option for finally taking the plunge.
  • I’m really impressed with fellow blogger Serdar, who made a mistake in his analysis in a post, and rather than removing the article in embarrassment, wrote a new post to document how the mistake came about and how he’ll rectify it in the future. This is the kind of transparency we rarely get in blogging, and it’s commendable. Next time I make an error on a blog post, I hope to be as upfront about it as he was.
  • As I wrote on Monday, I don’t have a backlog. Jeff, however, has elevated his backlog to an art. Here’s how he uses free planning software Trello to keep track of media he’s consumed, is consuming, and wants to consume.
  • Two of the shows I was reviewing for Anime News Network have ended. Check out my reviews, but they aren’t spoiler-free. How Yowamushi Pedal Grande Road‘s conclusion affirmed its major message; and the fan service-y, fluffy romp that was episode 25 of Gundam Built Fighters Try. P.S. is anyone else excited for the GBFT OVAs?
  • And of course, Kuroko’s Basketball is ongoing, and about to go into a major flashback arc. If it doesn’t take a break this weekend, I’ll be skipping my usual review for obvious reasons.
  • An update on my book: the twelfth and final interview has been conducted, and the manuscript just cracked 50,000 words. I’ll be finally sharing new information about just who those interviewees all are next week!

Why I don’t have an anime backlog

Anime, Fandom

Ping-Pong-Birdman

The winter season is all but over. Without any new episodes airing for at least a little bit, my talk with fellow fans has turned to resolutions to make a dent in their anime backlogs.

This is completely foreign to me. I don’t keep an anime backlog.

Furthermore, I don’t like the way people talk about their backlogs, bemoaning their enormity, or forcing themselves to get motivated to tackle them, or promising to stop being “bad” and start watching them. It sounds like work, and I already have enough of that.

As an anime reviewer, I already have three anime I “need” to watch every week. Labeling a long list of other shows that I have to watch in my spare time doesn’t appeal to me. So when I think about a show I haven’t watched yet and might enjoy, I try to forget about it.

Well, I try to forget about it. After Ping Pong: The Animation won an award last week, everyone was talking about it. I couldn’t forget about it until I’d watched all 11 episodes in one magical week. Yes, I have a full time job and plenty of other stuff to do, but here’s the thing: when a show is really great, you make time for it.

I think there’s a subconscious reason when a show ends up on your backlog instead of your watch list. Maybe it’s not memorable enough that you need to check it out in the near future, as was the case with me and Ping Pong. Maybe it’s a classic that doesn’t resonate with you, but you’ll feel guilty if you don’t at least make an effort. Maybe it’s something a close friend keeps nagging you to watch. Maybe you and your friend have significantly differing tastes, but you would feel bad disregarding her sincerely enthusiastic pleas.

In other words, I think there can be a lot of negative emotions tied up in a backlog, including guilt, obligation, and that feeling that “I should.” This is only compounded by the fact that you’ve essentially put something that should be fun on a to-do list.

Like I’ve said before, I don’t have an anime filter, somebody who watches considerably more anime than I do and recommends the best of it. So when I hear about a show, my first impulse is to test out an episode to see if it’s for me. That helps me decide quickly if it’s time to drop it, or just keep watching. That lets me shortcut shows from the limbo of the backlog straight to my “watching” or “dropped” lists.

Sites like Anime Planet make it easy to quantify every part of our anime viewing experience, from what we’re watching to what we’ve watched, to our favorite characters and recommendations. I think this can be fun in moderation, and I have an account myself. But I think it’s easy to go overboard, and make anime feel like work.

I think it’s important to revisit why certain shows have wound up on your backlog, unwatched for so long. Are you really too busy to watch them right now, when I know you’d make time for your favorite shows in a heartbeat? Are they there because you feel like you should watch them, even if you have no motivation to do so?

If you’re dreading your backlog, remember that it isn’t a job. You can delete the whole thing if you want. With millions of anime out there, accept that you’ll only watch one percent of it in your lifetime. Don’t waste that time on anything but the best.

Screenshot via Ping Pong: The Animation

Otaku Links: The dark side of fandom

Otaku Links

fuzichoco

  • So here’s something I’ve been excited about lately but I haven’t been able to share. I’ve been exchanging emails with a husband-wife team trying to launch a fandom-inspired jigsaw puzzle business about how they should go about contacting creators for permission. That permission has started rolling in and they’re getting some gorgeous puzzle art, including the image above!
  • A bunch of the sports anime I like, including Free!, Yowamushi Pedal, and Haikyu! (what is it with exclamation points in sports titles?) are getting their own movies. The first two appear to be all-new material. I liked the Utena movie and the Cowboy Bebop movie, but it’s been a long time since I’ve heard about a really impressive anime movie, so these could be hit or miss.
  • Kotaku did a roundup of some of the funniest ‘shops from @AniHistory, a Twitter that rewrites the past to include references from anime. I wasn’t following this account before, but I am now! (HT @JAsanmateo.)
  • I wasn’t going to share this sad, strange comic that Jay shared with me, but I can’t get it out of my mind. Called “My Mama’s A Weeaboo,” it’s a dark comedy about a preteen girl and her anime-obsessed mother. As it progresses, it becomes less about humor and more about life with an abusive parent.
  • I skipped Otaku Links last week, but I’m still just linking my three most latest reviews since all three shows were generally better this week. Kuroko’s Basketball was about the psychological effect of winning, Yowamushi Pedal just barely grazed the finish line, and GBFT featured a six-way robot brawl.

Sorry this is short again. You know, that book and all. I’m still on track for that May 1 release date, so I’m devoting all my time to that. I feel confident it’ll be worth it!

Build Your Anime Blog: The cover reveal!

Writing

Remember a couple weeks ago, when I told you I was writing a new book? That announcement just got one step closer to reality with a final cover design:

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For this design, I worked with Ben Huber, the brains behind my Gunpla 101 logo. I told him I wanted to carry over the color scheme from Kevin Bolk’s design for my first book, gave him my title, and then set him loose. The result is a bright, bold, and minimal cover inspired by manga panels and Japanese woodblock prints.

Both times I have published a book the traditional way, I have had zero control over the cover design. Following that, both times I have worked with an artist for a self-published book, I’ve been comfortable taking a hands-off approach, requesting only one revision each time. I hired Kevin and Ben because I like the work they do and was hoping for them to bring their own sensibilities to the table. Imagine if I had asked Kevin to go minimalist, or Ben to try to imitate Kevin’s cutesy style!

Your survey answers from my book announcement have heavily shaped its progress. I have chosen 12 bloggers to interview based on the people you requested most often. Out of 41 respondents, nearly everyone wanted to know “how to get a bigger audience” for your blog, so I made that a bigger section than it was previously.

Right now, I’m looking at a May 1 release date for the book. I will update you as more news becomes available to share.